Top 10 Songs for Spring
The Easter weekend is upon us: we share some of our favourite songs for spring, including numbers involving love at first sight, physical and emotional healing, and all-out partying!
Features
Helen George interview: ‘There are so many talented people… I had to know I wasn’t doing a disservice to anybody’
She may be best known for playing Trixie in TV’s Call the Midwife, but Helen George, now starring as Anna Leonowens in The King and I, also has a background in Musical Theatre. Tim Bano meets her, and...
Emily Benjamin interview: ‘I like to change things up, and I’m excited to give myself a new challenge, to shuck the Cabaret jacket and try on a few new ones’
Always the bridesmaid, never the bride? Not so, finds Matt Wolf, when it comes to this feisty Welsh performer, who played Sally Bowles in Rebecca Frecknall’s Cabaret for two years without having her...
Hadestown Rises Again
Almost 20 years after its genesis, this Greek myth-based ‘musical poem’ continues to evolve and resonate with modern-day audiences. Its latest incarnation, now making its West End premiere, is no...
Bring Back That Show: Made in Dagenham
Arnold and Thomas’s score doesn’t take itself too seriously and the libretto by Bean has some witty turns, but what stands out is its feel-good heart
Backstage with... Jon Robyns
Jon Robyns, currently playing the iconic title role in Andrew Lloyd Webber’s Phantom of the Opera in the West End, and also writing two new musicals
Standing at the Sky’s Edge: Standing at the Edge of Universal Success
It may have received ‘Made in Sheffield’ trademark status, but Standing at the Sky’s Edge – with its themes of home, belonging and acceptance – is a musical for the ages. As it makes its West End...
Keeping Score: Anything Goes
Orchestrator Jason Carr explores how in the ocean liner-set musical comedy Anything Goes, Cole Porter refined his unique voice to lift theatregoers’ spirits during the Great Depression
Elaine Paige on Follies
Elaine Paige on the brittle emotional pain of Stephen Sondheim’s Follies and delving into a catalogue of obscure historical references to master the famously tricky ‘I’m Still Here’
Unlocking Sondheim's Musical Enigma
Stephen Sondheim never liked talking about his process and always considered the play to be the thing but Edward Seckerson debunks the notion that the late composer didn’t write ‘tunes’